So I was reading the jealous curator and found Jessica Brilli. She is a painter with an exciting brush and pallet. I picked up one of her pieces and wanted to share some of her work with you. You can also find some newer work at the Walker-Cunningham gallery
I painted in front of the CVS near my home. A slight change of palette, I added a lemon yellow, sap green, and burnt umber. That gives me seven colors!
Cadmium red deep
Cadmium yellow deep
The extra colors worked out great, I have a lot(!) more work to do and will not put off working on my palette anymore. Try new things. I am thinking about picking a subject less lit, all the street lights are muting the over all ‘nighttime’ feel. As you can imagine I’m painting by street lamp, lots of dim yellow light (see below). I would like more ‘nighttime’ in my paintings, I don’t have any real idea how to do this, I’m going to just try lot of stuff. I would love to hear from anyone who has painted at night (Update below). How do you see your pallets, colors on the canvas, keep eye from “flash blindness” or light from polluting your subject matter?
(Below) you can get a sense of the lighting and what colors I can see (The photo is not far off). One unforeseen bonus to all the grey yellow is allowing me to concentrate on tonality and form.
I just started a new initiative to paint plein air every night, as long as it doesn’t get below 50. Below are the three reasons I have started.
A quote on Banksy’s website by Paul Cézanne made me think. On the website it’s quoted as;“All pictures painted inside, in the studio, will never be as good as those done outside.” A full(er) quote from Paul Cézanne:”But you know all pictures painted inside, in the studio, will never be as good as those done outside. When out-of-door scenes are represented, the contrasts between the figures and the ground is astounding and the landscape is magnificent. I see some superb things and I shall have to make up my mind only to do things out-of-doors.”– letter to Emile Zola, 19 October 1866.
I stumble across Mara Korkola paintings while on booooooom.com, I was immediately humbled and awed. I will be checking in with Mara from time to time.
Bob Gross, Not to be confused with the “happy little tree” guy, Bob was my watercolor instructor during the early 90’s. He had us [Juan and myself] up at 6 am to paint trees in Tree Tops Park I don’t think I would have ever been admitted into art school if it wasn’t for the work I did during that summer. Thanks Bob!
This is one of those things you come across and unless you see them in mass can’t truly appreciate them, please visit JUVENILE BUTT ROCKETS‘ tumblr account, it is good for the soul. I found them on a comment post from another one of my favorite blogs, The Jealous Curator.